Present: Anna, William, Caterine, Ludwig, Katherina
Warm-up: Ginevra, Amoroso (including an improvised 3-person variant)
Main Session - Negri's Canary
Revision of all mutanze learned so far:
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Dance
(January 6th, 2011 by Katherina Weyssin)
Present: Anna, William, Caterine, Katherina
Warmup: Amoroso, La Figlia de Guglielmino
Main Session - Pavaniglia
Revision of
- first two structural verses
- first and second mutanze
- forth mutanza
Skimmed through the third and fifth mutanze. Danced the whole thing through several times, including all verses.
NOTE: we need a more detailed revision of the 5th mutanza, the separating verse, and the final verse.
(January 3rd, 2011 by Katherina Weyssin)
Present: William, Anna, Caterine, Katherina
Warmup: Figlia de Guglielmino, Chiara Stella
Main Session : Canario
New material (for at least some present)
- Man's first mutanza
- Man's second mutanza (including ritirata, which we hadn't previously done with any success)
- new interpretation of the seguito spezzato in Canario
Katherina practiced her current interpretation of the man's third mutanza, which she'll teach next time.
Revision:
(December 30th, 2010 by Katherina Weyssin)
Present: Caterine, William, Katherina
Warmup: Rostiboli Gioioso for three
Main Session : Pavaniglia
We had Canario scheduled for this session, but did Pavaniglia instead, because that's what I had prepared.
Revision
- first mutanza for both man and woman; fourth mutanza for both man and woman
New Material (for this year, anyway)
(December 27th, 2010 by Katherina Weyssin)
Present: Caterine, William, Ludwig (Canary only), Katherina
Warmup: Black Almain
Main Session : Pavaniglia
Revision
- man's fourth mutanza
New Material (for this year, anyway)
- woman's fourth mutanza
- dancing mans's and woman's fourth mutanza simultaneously
- first mutanza, for both man and woman
(December 23rd, 2010 by Katherina Weyssin)
Present: William, Ludwig, Katherina
Warmup: Rostiboli Gioioso for three (with two men and one woman, for a change)
Main Session: Canario
Revision
- woman's first mutanza
- woman's second mutanza
- structural verses (intro, change-ends, finale : new to Ludwig, in this form)
New Material
(December 18th, 2010 by Katherina Weyssin)
Present: William, Anna, Katherina
Warm-up: Rostiboli Gioioso for three
Main session - Pavaniglia - 4th mutanza:
Learned the whole of the man's 4th mutanza, on both sides (verses 11 and 12). Katherina practiced the woman's 4th mutanza, but didn't teach it.
(December 16th, 2010 by Katherina Weyssin)
Our first advanced-dancing session for the summer!
Present: Katherina, Anna, William, Caterine
Warm up: Pungente Dardo, Amoroso
Main Session: Canario
Revision
(December 15th, 2010 by Katherina Weyssin)
Regular dance classes have finished for the year, and will re-start in February, but we're still dancing!
(December 2nd, 2010 by Katherina Weyssin)
Our last class of 2010, and we have a lovely session, with both familiar faces and some new ones. Please come back next year!
We got through:
- Cassandra
- Pinagay
- Charlotte
(all 16th century French branles, from the manual "Orchesography")
- Amoroso
- Rostiboli Gioioso
- Petit Riens
(all balli from 15th century Italian manuscripts)
- La Volta
(a variation on the galliard, in which the woman leaps, and the man spins her, while helping her to leap even higher)
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