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(November 27th, 2010 by Katherina Weyssin)

I tried a new format for the Ball at St Catherine's this year: dancing by request, requests in strict Order of Precedence. There are some records of renaissance festivities where the guests chose dances in order of rank like this, though they seem to have been even more formal.

 

(November 25th, 2010 by Katherina Weyssin)

We got through a lot:

William and Katherina practiced for a performance of Ginevra, and Caterine taught it to Ludwig. We re-learned Fiamma d'Amore. We tweaked a few details of La Figlia de Guglielmino and Presonera. We ran through Chiara Stella, at high speed, several times in a row. We all practiced out fioretti (and tried out the passage from passamezzo where you circle with fioretti and trabuchetti). And finally, we declared ourselves too tired to make it through La Volta, and retired for dessert.

 

 

(November 20th, 2010 by Katherina Weyssin)

All the dancers tonight were quite experienced, so we got through a lot of material, refining the details as we went:

  • La figlia de guglielmino (spent a while on this one, getting timing and spacing just so)
  • Presonera
  • Amoroso
  • All the mixed branles: Cassandra, Pinagay, Charlotte, La Guerre, Aridan
  • Ginevra (because Katherina and William want to perform it next weekend)
  • Pungente Dardo
  • Contentezza d'Amore
  • La volte

Lots of fun, and lots of work.

(November 11th, 2010 by Katherina Weyssin)

We had a really good group tonight: lots of people, some new, some quite experienced. We're still working our way through the ball list for St Catherine's and CF, making sure it's all fresh.

We started with a quick run through some of the Old Measures, for everyone:

(November 4th, 2010 by Katherina Weyssin)

Quick revisions of:

  • Earl of Essex
  • Old Almain
  • Black Almain
  • Cassandra, Pinagay, Charlotte
  • Chiara Stella

More work on:

  • La Volta
  • Presonera

And we didn't quite get to Il Canario. Maybe next week.

(October 28th, 2010 by Katherina Weyssin)

The dance list for the ball at Canterbury Faire next. We will be practising many of these over the next few weeks (until formal dance practices finish for the year in early December).

  • The Earl of Essex Measure
  • The Old Almain
  • The Black Almain
  • A Galliard
  • The Mixed Branles of Champagne: Cassandra, Pinagay, Charlotte, La Guerre, Aridan
  • The Branle de la Montarde, for sets of four

    - The Tassel-kick -

(October 28th, 2010 by Katherina Weyssin)

We worked our way through much of the CF ball list, and wi

ll cover the rest over the next few weeks.

Quick revisions of:

  • Earl of Essex Measure
  • Old Almain
  • Black Almain
  • Mixed branles: Cassandra, Pinagay, Charlotte, La Guerre
  • Chiara Stella

Longer practise of:

(October 21st, 2010 by Katherina Weyssin)
  • Rostiboli for two and three
  • Lavolta
  • La Figlia de Guglielmino
  • Presonera
  • Chiara Stella
  • Pungente Dardo
(October 14th, 2010 by Katherina Weyssin)
  • Amoroso
  • La Figlia di Guglielmino (for the first time)
  • step practise - fioretti
  • step practise - contrapassi
  • Ginevra
(October 7th, 2010 by Katherina Weyssin)

 

  • Spero, for three (16thC Italian ballo)
  • Rostiboli Gioioso for a three (15thC Italian ballo)
  • Amoroso (15th C Italian Ballo francese)
  • Ginevra (15thC Italian bassadanza)
  • Bella Gioisa, for three (16thC Italian cascarda)

 

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