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Pavaniglia - second and third mutanza

Submitted by Katherina Weyssin on December 30, 2010 - 10:11pm
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Present: Caterine, William, Katherina
Warmup: Rostiboli Gioioso for three
 

Main Session : Pavaniglia

We had Canario scheduled for this session, but did Pavaniglia instead, because that's what I had prepared.

Revision

  • first mutanza for both man and woman; fourth mutanza for both man and woman

New Material (for this year, anyway)

  • second mutanza
  • third mutanza
  • dancing first and second mutanze as one continuous unit
  • dancing third and fourth mutanze as one continuous

 
The second mutanza came back even more quickly than the first, so we went on to the third.

Revision

Too brain-dead for Canaries after four mutanze of the Pavaniglia in one evening.

We relaxed before stretching with some of the Old Measures: Earl of Essex, Old Almain, Lorraine Almain.
 

Next Session

Next session (Monday) we'll either focus on the Canary - either the man's second and third mutanze, or the woman's third and fourth - or we'll finish our first run through revising Pavaniglia, with the 5th mutanza and the structural verses. It will depend what I have time to study.
 


Note: Regular all-inclusive renaissance dance classes have finished for the year, and will re-start in February. Over summer Katherina Weyssin runs intensive classes for a few of her advanced students, where we look at more difficult material. If this appeals to you, come to regular dance classes for a year or so to build up your skills, and you might be ready to join us by next summer!

 

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