Date:
1603
Description:
“La Sirena,” also known as “La Caccia”, is a lively and energetic piece by Giovanni Girolamo Gastoldi. This version is one of the more famous settings of the “caccia” genre, where voices imitate each other in a lively, overlapping manner, evoking the feel of a hunt. The composition uses a simple, rhythmic structure and imitative counterpoint to create a sense of motion and excitement. In this work, Gastoldi blends vocal and instrumental music, making it a joyful and celebratory piece, typical of the late Renaissance period.
Discussion:
Gastoldi’s “La Sirena” (or “La Caccia”) is written in the style of a caccia—a type of Italian vocal composition that often features two or more voices in imitation, creating a “chase” effect. The piece is notable for its energetic rhythm and bright, fast-paced melody, characteristic of the hunting theme. The text, referring to a mermaid or siren, is set to music that mimics the feeling of a lively hunt, with quick and playful vocal lines. The work also integrates instrumental parts, which may include instruments like lutes or viols, enhancing the overall festive character.
Composer:
Giovanni Girolamo Gastoldi (1554–1609)
Arranged by:
Various modern arrangements exist for different vocal and instrumental configurations. The original work often includes instrumental accompaniment, with some transcriptions made for mixed ensembles, including brass and string instruments.
Sheet Music:
Gastoldi’s “La Sirena” appears in various anthologies of Renaissance music, particularly those focusing on the caccia or madrigal genres. The piece is available in collections of Italian Renaissance choral works.
The arrangement we use is available here as a pdf or musescore file
Parts:
Typically for 3 voices (SAT or SSA), though some arrangements allow for greater vocal or instrumental forces. Instrumental parts (such as for lutes, viols, or early wind instruments) often accompany the voices.
Type:
Renaissance vocal/instrumental piece (caccia)
Language:
Italian
Ranges:
The vocal parts are written for upper voices (soprano or alto), with a relatively narrow range that is easy for beginner singers to approach, though the imitative and overlapping nature requires attention to timing and pitch.
Advice for beginners:
For beginners, the focus should be on clear articulation and rhythmic precision. The imitative structure of the piece means that each voice must enter and blend seamlessly with the others. It is important to maintain a steady tempo and to listen carefully to the entrances of the other voices. Beginners may also benefit from focusing on the upbeat and lively rhythm, which is a key feature of the piece’s jubilant character.
Sound Files:
Here are some sound files for reference. All parts, soprano 1, soprano 2, alto, tenor, bass