Posted by Eleanor Hall to the Music journal on Mar 30th, 2015
Attendees:
Eleanor, Katherine of Glastonbury
Music played:
Black Alman
Parts:
Katherine on Sap with Harp - did not place accidentals in second section
Eleanor on tenor with tenor recorder. changed last note to a g instead of Bb to match the g chord played by harp to give piece for 'final' sound
Lorraine Alman
Katherine: Sap on Harp
Eleanor: Tenor on Tenor recorder.
Earl of Essex Measure - first half
Katherine: Sap on Harp
Posted by Eleanor Hall to the Music journal on Mar 16th, 2015
Attendees:
Eleanor, Katherine of Glastonbury Emrys
Music played:
Black Alman
Parts:
Katherine on Sap with Harp
Emrys on Tenor on viola
Eleanor on Sap with flute, and tenor with tenor recorder.
Plan for next week:
Earl of Essex
Katherine: Sap on Harp
Emrys: Alto on violin
Eleanor: Sap on Flute, Tenor on Tenor recorder.
Posted by Katherina Weyssin to the Music journal on Nov 22nd, 2014
Our first attempt at this sort of evening of music: all-in, anything goes ...
Posted by Katherina Weyssin to the Music journal on Nov 19th, 2014
We're still enjoying the Red Book of Montserrat; and some other stuff too.
Posted by Katherina Weyssin to the Music journal on Nov 5th, 2014
Our new piece for the evening was Tant con je vivrai, a virelai by 13th composer Adam de la Halle.
Posted by Katherina Weyssin to the Music journal on Oct 22nd, 2014
We're working our way through the Red Book of Montserrat, learning the pieces and then memorising them.
Posted by Katherine of Glastonbury to the Music journal on Oct 20th, 2014
In attendance: Emrys, Cecelia, Katherine of Glastonbury
We played:
Voltati in Ca Rosina
Discussed learning Ly bens distonys as could be not too difficult to get to a danceable speed
The official Bransle
-Katherine top line (and chords)
-Emrys second
-Kelsie third (alto recorder)
Started playing this for the first time tonight. We'll practice trying to get speed a bit faster
Belle Qui
Black Almain
Posted by Katherina Weyssin to the Music journal on Oct 15th, 2014
Red Book of Montserrat night again.
Posted by Katherina Weyssin to the Music journal on Sep 17th, 2014
Lots from the Red Book of Montserrat, because we all felt like it
Posted by Katherine of Glastonbury to the Music journal on Sep 15th, 2014
In attendance: Emrys, Cecelia, Katherine of Glastonbury
We played:
Belle Qui
Emrys top line
Cecelia and Katherine 3rd line (Katherine also adding chords)
We can play this at a danceable speed.
Washerwomen's Bransle
Matt bass drone
Cecelia and Katherine top line (Katherine also adding chords)
We'll need to speed this up a little so it could be danced to.
Posted by Katherina Weyssin to the Music journal on Sep 10th, 2014
Back to singing, after a few weeks' break.
Posted by Katherina Weyssin to the Music journal on Jul 31st, 2014
Still working on If ye love me.
Posted by Katherina Weyssin to the Music journal on Jul 10th, 2014
First attempt at Cuncti simus and If ye love me.
Posted by Katherina Weyssin to the Music journal on Jun 25th, 2014
Time to relax (and start on new stuff) after our Bloth performance.
Posted by Katherina Weyssin to the Music journal on Jun 20th, 2014
Practice for the Bloth, more Red Book.
Posted by Katherina Weyssin to the Music journal on Jun 13th, 2014
La Tricotea continues to improve.
Posted by Katherina Weyssin to the Music journal on May 29th, 2014
Singing returns after a break of a few weeks.
Posted by Katherina Weyssin to the Music journal on Apr 30th, 2014
Our last practice for a few weeks, with some visitors.
Posted by Katherina Weyssin to the Music journal on Apr 23rd, 2014
Ave vera virginitas, La tricotea, and more.
Posted by Katherina Weyssin to the Music journal on Apr 16th, 2014
Ave vera virginitas, La tricotea, and more.