Date:1597 Description:Gush Forth My Tears is a pavan composed by William Holborne and published in The Cittharn Schoole, a collection of songs and instrumental works. It shares thematic and musical similarities with Dowland’s Flow, My Tears, reflecting the intense emotional expression typical of late Elizabethan melancholy music. Discussion:Holborne’s piece is …
Date:15th century Description:A graceful and flowing basse danse, Ginevra (or Pazienza) belongs to the Burgundian court tradition. This dance was typically performed in a slow, stately manner, often accompanied by instrumental consorts. Discussion:The basse danse was a popular courtly dance in the 15th century, particularly in Burgundy and France. Ginevra …
Date:Published in 1600 (from Lachrimae, or Seaven Teares) Description:“Flow, My Tears” is a lute song (or ayre) by John Dowland, one of the most prominent composers of the English Renaissance. Originally composed as an instrumental piece titled “Lachrimae pavane”, it later became one of Dowland’s most famous songs when lyrics …
Date:c. 1370 (Late 14th century) Description:“Ecco la primavera” (“Here Comes the Spring”) is a well-known ballata by the Italian composer Giovanni da Firenze Landini. It celebrates the arrival of spring, with its characteristic lively and joyful mood, which is a common theme in medieval music. The ballata is in a …
Date:Late 16th century (likely composed around 1590) Description:The “Earl of Essex Measure” is a stately, elegant English court dance from the late Renaissance period. This piece was likely composed in honour of Robert Devereux, the 2nd Earl of Essex, a prominent figure in the Elizabethan court. As a “measure,” it …
Date:Mid-14th century (circa 1350) Description:“Douce Dame Jolie” is a monophonic song composed by Guillaume de Machaut, one of the most influential composers and poets of the Medieval period. Written in the style of a virelai, it expresses the pain of unrequited love and devotion to a distant lady. Its haunting …
Date:Late 15th century (c. 1490–1500) Description:“Como pudeo yo vivir” (modern spelling: ¿Cómo puedo yo vivir sin mi bien?) is a poignant Spanish love song from the Cancionero de Palacio, a major collection of courtly music from late 15th-century Spain. The title translates to “How can I live without my beloved?” …
Date:Early 16th century (c. 1520) Description:“Brounswycke” is a stately instrumental piece found in Renaissance dance and consort music collections. The name likely refers to Brunswick (Braunschweig), a historical German duchy, hinting at its continental influence or origin. It’s commonly performed as a processional or pavane-like piece, with a steady duple …
Date:Early 17th century (c. 1600–1615) Description:“Black Alman” (or “Black Almain”) is a stately instrumental dance in almain (allemande) style, popular in England during the late Renaissance and early Baroque period. Often attributed to composers like Anthony Holborne or Thomas Morley, it was a well-known tune performed at courtly events, masques, …
Date:Late 16th century (published 1589) Description:“Belle qui tiens ma vie” is a charming and elegant French pavane composed by Thoinot Arbeau, featured in his famous dance manual Orchésographie. The piece is both a dance and a love song, expressing devotion to a beloved with courtly grace. Its slow, stately rhythm …