Nowel syng we both aland som

Date:
15th century (c. 1450)

Description:
“Nowel syng we bothe al and som” is a medieval English carol celebrating the Nativity. It is one of the best-known examples of the burden and verse structure typical of the time, where a repeated refrain (burden) alternates with varied verses. This carol comes from a manuscript tradition that includes polyphonic settings and was likely performed during Christmas festivities, both in churches and in domestic or collegiate settings.

Discussion:
The text is a joyful proclamation of the birth of Christ, with the burden “Nowel syng we bothe al and som” inviting all, great and small, to participate in the celebration. Musically, it is simple and tuneful, often set in a clear strophic form with modal harmony. While many versions are monophonic, some manuscripts contain early polyphonic settings, such as those found in the Trinity Carol Roll (Cambridge, Trinity College MS O.3.58).

The phrase “bothe al and som” means “everyone together and each individually”, reinforcing the communal nature of carolling.

Composer:
Anonymous (English tradition)

Arranged by:
Numerous modern arrangements exist for choral settings (SATB), solo voice, and early music ensembles

Sheet Music:
Available in early English carol collections and modern anthologies of medieval and Renaissance Christmas music
The arrangement we use is available here as a pdf, mus, mus(alternative pronunciation) or musescore file

Parts:
Often set for three or four voices (polyphony), or solo voice with optional accompaniment

Type:
Medieval English carol

Language:
Middle English

Ranges:
Accessible ranges for soprano, alto, tenor, and bass; also suitable for children’s choirs in simplified arrangements

Advice for beginners:
Start with the monophonic or two-part version to become familiar with the text and phrasing. Take care with the pronunciation of Middle English, and focus on maintaining a steady tempo through the burden and verses. In ensemble settings, aim for clear delivery and good intonation in modal harmonies.

Sound Files:
Here are some sound files for reference. All partsaltotenorbass